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Jean Paul Gaultier: The Boy with the Teddy Bear Who Changed Fashion

The shy boy who dressed a teddy bear grew into fashion’s enfant terrible, challenging gender, corsetry, and the rules of modern style.

BY WARDROBE HISTORIAN·SEPTEMBER 2026·8 MIN READ
Jean Paul Gaultier: The Boy with the Teddy Bear Who Changed Fashion — placeholder

Jean Paul Gaultier: The Boy with the Teddy Bear Who Changed Fashion

Jean Paul Gaultier did not begin with a couture atelier, a wealthy family, or a carefully planned route into Paris fashion. He began with a teddy bear named Nana, scraps of fabric, and a grandmother who let him make whatever he wanted. That childhood habit became the blueprint for a career built on the same instinct: take something familiar, turn it upside down, and make people look at it differently. Gaultier would eventually put men in skirts, turn corsets from instruments of restriction into symbols of power, make the Breton sailor stripe sexually charged, and create one of the most recognizable stage costumes of the twentieth century for Madonna. But underneath the spectacle was something surprisingly consistent. The designer never seemed interested in behaving like fashion was supposed to behave.

Young Jean Paul Gaultier experiments with fashion by dressing his beloved teddy bear Nana in a miniature corset.
Young Jean Paul Gaultier experiments with fashion by dressing his beloved teddy bear Nana in a miniature corset.

Early Life: Jean Paul Gaultier and Nana, the Teddy Bear

Jean Paul Gaultier was born in 1952 in the Paris suburb of Bagneux and grew up in nearby Arcueil. His father was an accountant, and his mother worked as a cashier. It was his maternal grandmother, Marie, who became one of the most important influences on the future designer.

The story of Nana, his teddy bear, has become part of Gaultier mythology, but it is also rooted in the designer's own recollections. He has described his teddy as his earliest fashion memory, and Nana eventually became the tiny first model for ideas that would later appear on Paris runways. Gaultier experimented with clothing for the bear, including a miniature bra and corset-inspired pieces.

That detail matters because the corset would become one of Gaultier's great lifelong obsessions.

His grandmother's wardrobe fascinated him. He encountered corsetry not as an abstract historical object, but as something intimate and physical. Years later, when he began sending corsets down the runway, he would strip them of their conventional meaning. A corset could be underwear, outerwear, armor, costume, seduction, or all of them at once.

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